A QUESTION OF SURVIVAL


TYPE
: Documentary
GENRE: Documentary
STATUS: Post-Production

LOGLINE

A CAUTIONARY TALE of what the result of public ACTION or INACTION can be in the life of small minorities. 

 

SYNOPSIS

A QUESTION OF SURVIVAL: Bulgarian Jews and the Holocaust

Holocaust stories have been told in dozens of films, both documentaries and features. While several have examined how Denmark rescued most of its Jews, few have touched on the incredible story of Bulgaria’s Jews. In March 1943,  responding to intense public pressure, the Bulgarian government, an ally to Germany, cancelled the deportation of 48 000 Bulgarian Jews. The so-called “Rescue” of Bulgarian Jewish citizens was a unique and unprecedented event in the history of World War II and the Holocaust.       

To this day that event complicates the conventional narrative of the Holocaust, and still puzzles survivors, historians, and the public at large. Most of the Bulgarian Jews later immigrated to Israel, and some made their way to America. But many found it difficult to relate their unique experience to more common survivor stories. As a result, they have struggled to determine where they fit in. Are they survivors, even though they weren’t forced into ghettos or concentration camps? Is there story as valuable as that of other survivors?  A Question of Survival aims to explore these questions, while also looking into the role of public opinion in pressuring the government into changing its policies.                       

The film is told from the perspective of Misha Avramoff (b 1939), Robert Bakish (b. 1926) and Chaim Zemach (b. 1928), now residents of New York City, who survived WWII in Bulgaria as children, aged 4-16.       

  “You are not my kind of Jew, because you didn’t experience what I experienced.” Misha heard that often working as a community organizer with the many Polish survivors on the Lower East Side of Manhattan.

A QUESTION OF SURVIVAL asks the questions: Are Bulgarian Jews true “survivors” of the Holocaust? Can the Bulgarian survivor story find its place within the narrative of the Holocaust?  In retelling this unique story, we inspire audiences to see how, even in the darkest and most volatile moments of human history, effective resistance is possible.

ARTISTIC STATEMENT

Why am I making this film?

There are many different interpretations of who saved the Bulgarian Jews, and why. Opinions depend upon political affiliation. The story remains extremely politicized and controversial, because while the Bulgarian government saved its own country’s Jews, it handed over to Nazi Germany 11,343 Jews from Macedonia and Northern Greece, territories it occupied during the war. All those Jews were deported to the death camp of Treblinka, and all perished. And yet this same government caved under public pressure from the Bulgarian Orthodox Church, members of Parliament from the ruling party and the opposition, intellectuals, and ordinary people, and spared the lives of the 48,000 Bulgarian Jews. The incongruity left both Jewish and Christian Bulgarians to struggle with conflicting feelings of pride and shame. 

I learned about this part of my country’s history  after I arrived in New York and met a few Bulgarian Jews here. Growing up in Bulgaria during the communist period, I heard very little discussion about it--maybe a paragraph or two in our history textbooks. I found the story fascinating but I was also puzzled as to why so few people knew anything about it. When I started discussing it with survivors, historians, public figures, and regular people, I was struck by the confusion of what they knew, and how they actually talked about it.

I met Misha Avramoff, Robert Bakish, and Chaim Zemach in New York, and knew that I had to capture their stories while they were still alive. I began shooting interviews with them. They had all lived through the war in Bulgaria as children aged 4-18, and immigrated to America with their families in the 1940s and 50s.  Each was affected by their unusual survival, the realization in hindsight of how close they came to death. Each has struggled to make sense of their own story.

Until 1989 Bulgaria remained closed off  behind the Iron Curtain, and access to its archives was rare and minimal. Only after the fall of the communist regime was access finally allowed, but by then the “official” narrative of the Holocaust had  already been written. Furthermore, the little-known and unusual survival of the 48,000 Bulgarian Jews sounded too unbelievable and unreal to fit comfortably into that narrative. It also posed uneasy questions, such as: What was the role of public resistance in saving the Jewish population? Why didn't similar resistance happen in other countries? How could the Bulgarian people hand off one population of Jews to be slaughtered, while protecting their own? As a result this story remains little known, its tremendous value lost in controversy and confusion. 

My documentary aims to shine light on the relevance of this chapter in history to our current political climate, where minorities are scapegoated for political gain, and where the role of public opinion in protecting them is ever so critical. An important part of this documentary is the larger immigrant story, and the refuge the families of Misha Avfamoff, Robert Bakish, Chaim Zemach, as well as myself, were able to find in America. 

KEY CREW

Elka Nikolova - Director/Producer/Editor

Since graduating from the New School in 2000, Elka Nikolova has worked in the film and television industry in New York City. Her 2006 documentary film “Binka: to Tell a Story About Silence” premiered at the MOMA in 2007, and received the audience award at the SEEFest in LA in 2007. In 2017 Nikolova completed the documentary “Angel Wagenstein: Art is a Weapon ”, which she co-produced and edited. currently she is directing, producing and editing the two part documentary “A Question of Survaval" about the fate of the Bulgarain Jews during WWII, and a short documentary on dance and aging "Albena K: The Traveller".

Vanyo Georgiev - Cinematographer

Since graduating from the New Bulgarian University in 2000, Vanyo Georgiev worked first in the Bulgarian film and TV industry as cameraman and DP until immigrating to the US in 2006. Since 2007 Vanyo has been working in the New York City film and television industry as a cinematographer and lighting director. 

 

Ivanka Gezenko - Bulgarian National Archives, Specialist, Project Advisor

Angel Chorapchiev - Scholar, Yad Vashem, Project Advisor

Vadim Altskan - USHMM, Scholar, Project Advisor

Lora Mayer - Writing consultant

Joseph Benatov - Historical consultant

Ben Wolf - Additional Camera

 

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