Wishful Whiskers


TYPE
: Narrative Short
GENRE: Drama
STATUS: Post-Production

LOGLINE

Stuck in her dad’s boring lunch meeting, little Ella suddenly discovers the curious case of all the mustaches.

SYNOPSIS

For little Ella, tagging along with her dad to his business lunch is no fun. That is, until she notices something. Her dad’s business partner has a fluffy white mustache, which is fascinating. Suddenly, everyone else has one too! Why doesn’t she have one? Her mission is clear: she must get her own mustache, and it must be better than what everyone else has.

ARTISTIC STATEMENT

Wishful Whiskers is a story about a little girl’s imagination running wild as she passes time at her dad’s boring business meeting. The film has a surreal tone, especially when Ella looks around the room, noticing everyone's mustaches. Even though she’s in a very real setting, she has turned it into a game for herself, using one small detail she notices about her dad's business partner – his mustache – as an entry point to a world that toys with the boundaries of magical realism.

As a larger theme for the film, I want to highlight that children have an imagination that usually breaks free of societal and gender norms. What if a little girl wants to have a mustache? What if that’s just the game she imagines on this day?

I'm drawing inspiration from the visual and storytelling tone of Wes Anderson films and the French film Amelie. With this film, I not only want to play with the blurring of reality and imagination, but also with the fluidity of gender.

The story also subtly incorporates other types of social commentary. It hints at Ella's dad being a single father and, in terms of casting, we're interested in representing non-traditional families. In Ella's world, all of those realities are "normal."

Wishful Whiskers is a story that's close to my heart. It was inspired by the time I've spent playing with my nephew and niece and it's the most liberating script I've written. I was able to shed the cynicism and inhibitions of adulthood and imagine a story where a child's rules apply. Ultimately, it's a film that I hope encourages and inspires people to think beyond traditional boundaries of social norms and re-embrace their inner child.

KEY CREW

Pulkit Datta - Writer/Director

Pulkit started his career assisting award-winning director Mira Nair and has since worked on a wide range of international projects with various production companies. He has worked in creative development and production capacities on narrative films, Sundance-backed documentaries, web content, commercials, short films, and multimedia campaigns. Films he has worked on have screened at major festivals including Toronto International Film Festival, Tribeca Film Festival, and NewFilmmakers New York. JASON, a short film written/directed by Pulkit, won the online Reel 13 competition by popular vote and was broadcast on PBS. In 2014, Pulkit was selected as an INK Fellow for his work in the film and media fields. His feature film project COLONY (in development) was also selected for the IFP Emerging Storytellers as part of Film Week 2014.

Russell Sheaffer - Producer

Russell’s films have screened at various film festivals including the Tribeca Film Festival, MoMA, Queer Lisboa, and the Anthology Film Archives. Masculinity & Me, a film he co-wrote and co-directed with James Franco, was an official selection of the 2011 Torino LGBT Film Festival and was featured in Franco’s solo exhibition, The Dangerous Book Four Boys. Russell has produced a number of documentary and narrative films, including Josephine Decker’s Thou Wast Mild and Lovely which premiered at the 2014 Forum at Berlinale.

Caroline Mariko Stucky - Director of Photography

Caroline Mariko Stucky is an award winning independent filmmaker  with a fierce passion for American culture. For Caroline, film, the world of the image, is the ultimate language that trumps the whirling kaleidoscope of spoken
languages of her childhood.

Her work as a Director of Photography includes Homage to Switzerland (2012), The Perfect Bunny (2013), Old Junk (2013), Upside Down (2014), Benighted (2015), The Letter (2016) and Butterfly (2016). In fall 2016, she will be filming Shira Levin's feature film Good Grief a.k.a. Starfish.

 

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ACCOLADES

-
IFP Fiscal Sponsorship Program 2017
-
Selected to premiere at an Academy-qualifying film festival

 

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